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From (prerequisite) Select… Red-flag self-screen and practice setup Alignment and release scan Comfortable speaking-center map Silent inhale plus hiss exhale Easy hum onset on /m/ or /ŋ/ Single-note match in comfortable range Same / higher / lower discrimination Pulse clap with click Single-vowel sustain on /u/ Three-note siren within a fifth Coordinated onset on open vowel Smooth release / offset Two-note echo on neutral syllable so-mi with hand signs so-mi-la patterns Repeated-note stability in pulse Four-beat entry after count-in Five-note descending hum Hum-to-vowel transfer Short echo after 2-second delay Five pure vowels on one pitch Vowel switching on one pitch Jaw / tongue release while sustaining Straw or lip-trill sustain (SOVT) SOVT glide across a sixth Detect and reduce register event in a glide 1–3–5 arpeggio on trill or hum Resting-tone / tonic finding after cadence 4–5 note phrase from memory Degree prompts from tonic: do, re, mi, sol, la Major pentachord up and down Minor and major third echo Perfect fourth and fifth echo Glide-to-discrete-note landing Soft vs medium contrast Simple swell and decrescendo Two-syllable legato phrase Consonant-to-vowel clarity Breath grouping for 6–8 second phrase Two-phrase memory with clean restart Siren across the main bridge / passaggio Vowel modification on upward motion Bright / narrow resonance cue Speech-to-song three-note transfer One-octave scale fragment Tonic-dominant arpeggio Sing target degrees against tonic drone Straight-tone then optional natural vibrato release Staccato in tempo Five-note melisma Phrase transposition up or down a whole step Call-and-response with one-note variation A cappella eight-beat phrase resolving to tonic Verse-length breath planning Emotional contrast via dynamics and vowel colour Unison with guide voice Simple harmony line over drone Eight-bar simple song from memory Self-diagnosis of miss type Independent rescue-drill selection → To (depends on it) Select… Red-flag self-screen and practice setup Alignment and release scan Comfortable speaking-center map Silent inhale plus hiss exhale Easy hum onset on /m/ or /ŋ/ Single-note match in comfortable range Same / higher / lower discrimination Pulse clap with click Single-vowel sustain on /u/ Three-note siren within a fifth Coordinated onset on open vowel Smooth release / offset Two-note echo on neutral syllable so-mi with hand signs so-mi-la patterns Repeated-note stability in pulse Four-beat entry after count-in Five-note descending hum Hum-to-vowel transfer Short echo after 2-second delay Five pure vowels on one pitch Vowel switching on one pitch Jaw / tongue release while sustaining Straw or lip-trill sustain (SOVT) SOVT glide across a sixth Detect and reduce register event in a glide 1–3–5 arpeggio on trill or hum Resting-tone / tonic finding after cadence 4–5 note phrase from memory Degree prompts from tonic: do, re, mi, sol, la Major pentachord up and down Minor and major third echo Perfect fourth and fifth echo Glide-to-discrete-note landing Soft vs medium contrast Simple swell and decrescendo Two-syllable legato phrase Consonant-to-vowel clarity Breath grouping for 6–8 second phrase Two-phrase memory with clean restart Siren across the main bridge / passaggio Vowel modification on upward motion Bright / narrow resonance cue Speech-to-song three-note transfer One-octave scale fragment Tonic-dominant arpeggio Sing target degrees against tonic drone Straight-tone then optional natural vibrato release Staccato in tempo Five-note melisma Phrase transposition up or down a whole step Call-and-response with one-note variation A cappella eight-beat phrase resolving to tonic Verse-length breath planning Emotional contrast via dynamics and vowel colour Unison with guide voice Simple harmony line over drone Eight-bar simple song from memory Self-diagnosis of miss type Independent rescue-drill selection
All edges (107) Alignment and release scan ← Red-flag self-screen and practice setup Comfortable speaking-center map ← Red-flag self-screen and practice setup Silent inhale plus hiss exhale ← Red-flag self-screen and practice setup Alignment and release scan Easy hum onset on /m/ or /ŋ/ ← Alignment and release scan Silent inhale plus hiss exhale Single-note match in comfortable range ← Comfortable speaking-center map Easy hum onset on /m/ or /ŋ/ Same / higher / lower discrimination ← Single-note match in comfortable range Single-vowel sustain on /u/ ← Easy hum onset on /m/ or /ŋ/ Single-note match in comfortable range Three-note siren within a fifth ← Easy hum onset on /m/ or /ŋ/ Single-note match in comfortable range Coordinated onset on open vowel ← Easy hum onset on /m/ or /ŋ/ Single-note match in comfortable range Smooth release / offset ← Coordinated onset on open vowel Single-vowel sustain on /u/ Two-note echo on neutral syllable ← Single-note match in comfortable range Same / higher / lower discrimination so-mi with hand signs ← Two-note echo on neutral syllable so-mi-la patterns ← so-mi with hand signs Repeated-note stability in pulse ← Pulse clap with click Single-vowel sustain on /u/ Four-beat entry after count-in ← Pulse clap with click Coordinated onset on open vowel Five-note descending hum ← Three-note siren within a fifth Two-note echo on neutral syllable Hum-to-vowel transfer ← Five-note descending hum Single-vowel sustain on /u/ Short echo after 2-second delay ← so-mi-la patterns Hum-to-vowel transfer Five pure vowels on one pitch ← Single-vowel sustain on /u/ Vowel switching on one pitch ← Five pure vowels on one pitch Jaw / tongue release while sustaining ← Five pure vowels on one pitch Vowel switching on one pitch Straw or lip-trill sustain (SOVT) ← Silent inhale plus hiss exhale Easy hum onset on /m/ or /ŋ/ SOVT glide across a sixth ← Straw or lip-trill sustain (SOVT) Three-note siren within a fifth Detect and reduce register event in a glide ← SOVT glide across a sixth 1–3–5 arpeggio on trill or hum ← Five-note descending hum SOVT glide across a sixth Resting-tone / tonic finding after cadence ← so-mi with hand signs Short echo after 2-second delay 4–5 note phrase from memory ← Short echo after 2-second delay Resting-tone / tonic finding after cadence Degree prompts from tonic: do, re, mi, sol, la ← Resting-tone / tonic finding after cadence so-mi-la patterns Major pentachord up and down ← 1–3–5 arpeggio on trill or hum Degree prompts from tonic: do, re, mi, sol, la Minor and major third echo ← Two-note echo on neutral syllable Degree prompts from tonic: do, re, mi, sol, la Perfect fourth and fifth echo ← Minor and major third echo Glide-to-discrete-note landing ← SOVT glide across a sixth Minor and major third echo Soft vs medium contrast ← Single-vowel sustain on /u/ Five pure vowels on one pitch Simple swell and decrescendo ← Soft vs medium contrast Single-vowel sustain on /u/ Two-syllable legato phrase ← Vowel switching on one pitch Major pentachord up and down Consonant-to-vowel clarity ← Four-beat entry after count-in Five pure vowels on one pitch Breath grouping for 6–8 second phrase ← Silent inhale plus hiss exhale Straw or lip-trill sustain (SOVT) Two-phrase memory with clean restart ← 4–5 note phrase from memory Breath grouping for 6–8 second phrase Siren across the main bridge / passaggio ← Detect and reduce register event in a glide SOVT glide across a sixth Vowel modification on upward motion ← Vowel switching on one pitch Siren across the main bridge / passaggio Bright / narrow resonance cue ← Five pure vowels on one pitch Siren across the main bridge / passaggio Speech-to-song three-note transfer ← Comfortable speaking-center map Coordinated onset on open vowel Two-note echo on neutral syllable One-octave scale fragment ← Major pentachord up and down Siren across the main bridge / passaggio Tonic-dominant arpeggio ← Perfect fourth and fifth echo Resting-tone / tonic finding after cadence Sing target degrees against tonic drone ← Resting-tone / tonic finding after cadence Degree prompts from tonic: do, re, mi, sol, la Straight-tone then optional natural vibrato release ← Soft vs medium contrast Siren across the main bridge / passaggio Staccato in tempo ← Coordinated onset on open vowel Four-beat entry after count-in Repeated-note stability in pulse Five-note melisma ← One-octave scale fragment Staccato in tempo Phrase transposition up or down a whole step ← Degree prompts from tonic: do, re, mi, sol, la Major pentachord up and down Call-and-response with one-note variation ← 4–5 note phrase from memory Phrase transposition up or down a whole step A cappella eight-beat phrase resolving to tonic ← Breath grouping for 6–8 second phrase Sing target degrees against tonic drone Verse-length breath planning ← Two-phrase memory with clean restart Breath grouping for 6–8 second phrase Emotional contrast via dynamics and vowel colour ← Soft vs medium contrast Bright / narrow resonance cue Unison with guide voice ← Sing target degrees against tonic drone One-octave scale fragment Simple harmony line over drone ← Tonic-dominant arpeggio Sing target degrees against tonic drone Eight-bar simple song from memory ← Two-phrase memory with clean restart A cappella eight-beat phrase resolving to tonic Self-diagnosis of miss type ← Eight-bar simple song from memory Independent rescue-drill selection ← Self-diagnosis of miss type